Midsummer ReviewOf all Shakespeare’s works, A Midsummer Night’s Dream holds a special place in my heart. Like so many of…
Horror and Humanity: An In-depth Look at Abigail Duclos’s “Blood Orange”
Anya Kai, reporting In the world of theater, few genres are as potent and provocative as horror. It is a…
Duel Reviews: Nick Thomas and Shakespeare … Romeo & Juliet
Romeo and Juliet Review I know the trend these days is to tweak Shakespeare by putting it in modern costumes…
Dr. Jeff. S. Dailey resurrects a forgotten morality play: The Interlude of Youth (playwright unknown)
Dr. Jeff. S. Dailey resurrects a forgotten morality play: The Interlude of Youth (playwright unknown) featuring David Ezell, Will Lerberg, Chaim…
Tony Tambasco’s Review: A View from the Bridge by Arthur Miller (Directed by Emily Vaeth for the Modern Classic Theatre Co. of Long Island) at the BACCA Arts Center
Of the five plays in Modern Classic Theatre Company of Long Island 2025 season, Arthur Miller’s A View from the…
An open letter from an audience member about TAKE A QUACK AT IT in Taiwan
Audience testimonial from“Take a Quack At It!” Taipei Taiwan shows, June28-29,2025 After their Taipei performance of“Take A Quack At It!”,the…
Michael Hagins: A Visionary in Shakespearean Interpretation Brings “The Comedy of Errors” to NYC Parks
Anya Kai reporting New York City’s vibrant summer theatre scene is set to be enriched by the Shakespeare Sports Theatre…
Will Allen Shines in “¡Poof!”: A Deep Dive into His Role and Artistic Process
Anya Kai reporting The American Theatre of Actors (ATA) Complex in New York City is currently hosting a compelling double…
Frank Coleman summonds a review of MY GHOSTS
MY GHOSTS by Rhode Islanders David and Erica Laros was introduced to New York audiences at a showcase featuring songs…
The Faces of “MUD”: Unpacking the Performances of Chloe Margot, Brian Beckerle, and Aiden Castillo
Article by Jake Mendel Utopia for Losers’ upcoming production of María Irene Fornés’ “MUD” promises a raw and unflinching exploration…
