article by Jake Mendel
Kevin Russo, a versatile artist who identifies as an actor, musician, and fight director, joins the cast of Modern Classics Theatre of Long Island’s revival of “As Bees in Honey Drown” at the BACCA Arts Center. With a prior positive experience with MCTLI and an intriguing connection to Douglas Carter Beane’s writing, Russo steps into a role that allows him to explore the far-reaching impact of Alexa Vere de Vere’s enigmatic presence.
Russo is no stranger to the Modern Classics Theatre of Long Island, having previously appeared in “a lovely play called Enchanted April” the previous year. His return and subsequent projects lined up with the company speak to a positive and ongoing relationship.
The allure of “As Bees in Honey Drown” began with its intriguing title, but it was Beane’s writing that truly captivated Russo. He describes the script as “goofy and profound and honest in equal measure,” highlighting its ability to blend seemingly disparate tones into a cohesive and compelling narrative.
Russo’s role in the production offers a unique perspective on the play’s timeline. “My track has the privilege of living both in the ‘present day’ and in a flashback,” he explains. This allows him to inhabit a world just prior to his own formative years and to observe the enduring consequences of the events depicted. “It’s exciting to inhabit a world that existed only slightly before my own time as a young person and to see the ripples that still echo forward in time,” he reflects, suggesting a thoughtful consideration of the play’s historical context and its lasting relevance.
Through the lens of his “theatrical” characters – a term he embraces broadly – Russo has gained a significant insight into the dynamics of the play. “What is most interesting to me is that despite all of my characters being so different, they are all so directly affected by Alexa,” he observes. His characters serve as a microcosm of Alexa’s influence, revealing how her actions and persona profoundly shape the lives of those around her. “We see them all at a time where everything they are is wrapped up in who she is and what she is doing,” Russo notes, emphasizing the central role of Alexa’s deception.
Russo finds inspiration in the collaborative spirit of his fellow artists. “I am inspired by those I work with,” he states. “Those who take the time and do the work and LOVE the work are what make it worth doing over and over.” This appreciation for dedication and passion underscores the value he places on the theatrical community.
His mission as a performer extends beyond mere entertainment. “I want to entertain and affect others, but I also want to dig deep into the mind of the characters I play,” Russo explains. This deep dive allows him to cultivate empathy and gain a broader understanding of human behavior. “It creates empathy in a way that few other pursuits can,” he asserts, highlighting the transformative potential of acting.
While primarily focused on theatre, Russo occasionally ventures into film. He encourages audiences to look out for a movie titled “Back to the Present,” where he plays a “delightfully villainous character track in different times and places,” showcasing his versatility across mediums.
Russo describes his “audience” simply as “anyone who is willing to buy in and enjoy the ride,” emphasizing the importance of open engagement and shared experience. He believes that “As Bees in Honey Drown” holds a universal appeal, particularly for those who have any connection to the arts. “Anyone who has ever seen, touched, or been affected by the arts in any way… This piece has so much to say about art and its impact on people, both individually and collectively,” he eloquently states.
Despite his enthusiasm, Russo candidly admits to encountering a common actor’s challenge: memorizing lines. “Lines. Something about this script is particularly difficult to memorize confidently,” he shares with a touch of humor, highlighting the demanding nature of Beane’s intricate dialogue.
Looking to the immediate future, Russo has a busy schedule, with upcoming performances in “Birthday Candles” with Lighthouse Theatre, followed closely by “A View from the Bridge” with Modern Classics, further solidifying his commitment to the Long Island theatre scene.
Kevin Russo’s insights into the interconnectedness of the characters in “As Bees in Honey Drown,” coupled with his dedication to his craft and his appreciation for the collaborative nature of theatre, suggest a thoughtful and impactful performance. His exploration of the ripple effects of Alexa’s influence promises to add a compelling layer to MCTLI’s production.
ARTIUM: OMNI 